June 12, 2026: Spence releases new single "Grow As We Go"
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December 10, 2025: Spence (aka Val Voyle) mentioned in Huffington Post article: "This Centuries-Old Sacred Music Got A Drag Glow-Up"
October 17, 2025: Spence receives Global Music Awards Silver Medal for 20th Century Art Songs
For more information, visit:
globalmusicawards.com/honorees
June 2025: Spence featured in ITG Journal
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May 2025: ITG News: Spence Appointed Assistant Professor at Crane
February 11, 2025: "All Life Long" nominated for Swedish Grammy for Classical Album of the Year
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December 2, 2024: Spence mentioned in The New Yorker by Alex Ross
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"The vocal and brass arrangements on “All Life Long” are so immaculately crafted that one could see the pieces becoming repertory items for progressive-minded groups. For the moment, however, Malone doesn’t wish to make the music available outside the format she has devised for it. She rehearses painstakingly with her collaborators to find the right balance of cool precision and expressive warmth. The ensemble at Tully included the vocalists Matthew Robbins, Sam Strickland, Zach Ritter, and Brian Mummert; the trumpeters Luke Spence and Atse Theodros; the horn player Austin Sposato; and the trombonists Nikki Abissi and Jennifer Hinkle, the last accompanied by her impressively serene medical-alert dog, Kita. The trumpeter and composer Sam Nester conducted for most of the evening, until Malone herself took over."
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"The cumulative power of the event at Tully justified Malone’s wariness about letting her creations out of her grasp. The vocal settings came first, then a suite of pieces for brass. Finally, Malone and O’Malley entered to play the organ, sitting side by side at the manuals. The brass, positioned in near-darkness, augmented the textures in the closing sections. In “No Sun to Burn,” the penultimate work, rays of hope seemed to break through, as the brass dwelled on the notes E-flat, F, and G, summoning an ecstatic haze of overtones. In “The Unification of Inner & Outer Life,” a dissonant fog descended again, with E-naturals grinding quietly against F’s. Yet there was an Arctic calm in that gray, distant sound—no place of comfort, to be sure, but a protected space nonetheless."
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November 16, 2024: Anima Brass performs Kali Malone's All Life Long to sold-out crowd at Lincoln Center's Alice Tully Hall
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Photography by Lincoln Center's Lawrence Sumulong | @layer/nyc | @lincolncenter
March 2, 2024: All Life Long named Best New Album by Pitchfork
Feb 21, 2024: All Life Long earns #4 spot on Billboard's Classical Crossover chart
Feb 10, 2024: All Life Long featured in The Guardian and NPR
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Feb 9, 2024: Kali Malone's album All Life Long featuring Anima Brass released
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Jan 18, 2024: Kali Malone's "No Sun to Burn" single released feat. Anima Brass
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Jan 8, 2024: Read Dr. Spence's article "Notes on Notes: Mindful Note Taking for Trumpeters" in the International Trumpet Guild Journal
Read the full article (Vol. 48, No. 2, p. 38) here!
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December 4, 2023: Spence featured on "Relative Pitch" Podcast
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Season 4, Episode 12: "Be The Change" Hosted by Michael Brown, Lorin Green, and Anthony Morris Spotify: https://open.spotify.com/episode/67mIRKVG4fEjkWpPaYy6U3?si=a76e7c6158d04dde Website: relativepitchpodcast.com Instagram: @relativepitchpodcast |
July 30, 2023: Spence featured on "The Brass Junkies" Podcast
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June 22, 2023: Spence performs in International Pride Orchestra's inaugural concert
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May 10, 2023: Spence to play recital in Bloomington, MN
Twin Cities Trumpet Day is a celebration of all things trumpet, and filled with events for trumpeters of all ages and abilities. Explore the Trumpet shop and work with a specialist to fine tune your setup. Lotus Mouthpieces will be on site with an expanded inventory selection for all performance settings: jazz, orchestral, chamber and more.
In the afternoon, enjoy a queer-focused recital program from our guest artist Dr. Luke Spence, Visiting Assistant Professor of trumpet at SUNY Potsdam. His recital “Wouldn’t That Be Queer: Rethinking the Traditional Narrative” combines traditional and contemporary works for solo trumpet through the lens of self expression. Following the recital, Dr. Spence will conduct a masterclass for trumpet students.
In the afternoon, enjoy a queer-focused recital program from our guest artist Dr. Luke Spence, Visiting Assistant Professor of trumpet at SUNY Potsdam. His recital “Wouldn’t That Be Queer: Rethinking the Traditional Narrative” combines traditional and contemporary works for solo trumpet through the lens of self expression. Following the recital, Dr. Spence will conduct a masterclass for trumpet students.
May 9, 2023: Spence honored as finalist for The American Prize (Instrumental Soloist Category)
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March 31, 2023: Spence named new Artist for S.E. Shires Co.
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Feb 6, 2023: Spence named new Artist for Denis Wick Products
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Jan 3, 2023: International Trumpet Guild Journal Review
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"Spence's cornet playing is nuanced and exquisite with a warm, lovely sound."
"Whether it is a soft entrance in the high register, quick and delicate wide slurs, or a mournful melody, Spence consistently delivers a strong musical interpretation." |
Sep 11, 2022: Check out the latest episode of the "Bold as Brass" podcast, featuring Dr. Spence! Host Melissa Brown and Spence discuss his beginnings, recent career developments, and his debut solo album "20th Century Art Songs".
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July 25, 2022: Spence appointed to a two-year position as Visiting Assistant Professor of Trumpet at the SUNY Potsdam Crane School of Music. His appointment was featured on the International Trumpet Guild website.
July 5, 2022: National Association of College Wind & Percussion Instructors Journal Review
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"... a true expert in phrasing."
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March 19, 2022: Fanfare Magazine Interview and Review
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"... great artistry..."
"... exemplary breath control..." "Spence's solo lines speak volumes." "The true art [of brass playing] actually lies in creating a seamless line. Spence is commendably strong in this aspect." |
January 17, 2022: Read Mark Gould's review of "20th Century Art Songs"
"I don't usually like trumpet and piano versions of Mahler songs. These transcriptions tend to be too 'trumpety'. Luke Spence has changed my mind. His heartfelt playing in three songs from Mahler's Rückert-Lieder is simply beautiful. The text comes through loud and clear even without a word being sung. Pianist, Andrew Welch, is a wonderful collaborator on the project. The rest of the album, Berg, Poulenc and Ives is excellent as well. I particularly liked the Spence/Welch renditions of Ravel's "Don Quichotte" and Leslie Adams' "Prayer" from his Nightsongs. Bravo!"
- Mark Gould, former Principal Trumpet of the Metropolitan Opera Orchestra and Professor of Trumpet at The Juilliard School
January 9, 2022: Read Chris Gekker's review of "20th Century Art Songs"
"The concept of instrumentalists performing vocal music goes back to the very origins of human music- making. Franz Liszt (1811-1886), who literally created the medium of the solo recital, would perform his own transcriptions of songs, including entire Schubert song cycles arranged for solo piano. This idea continued and grew, with other notable examples such as the legendary violinist Jascha Heifetz (1901-1987) playing George Gershwin songs on his recitals.
Luke Spence’s CD is unique and notable for several reasons. It is not uncommon for trumpeters to turn to vocal music, for the opportunity to play lyrically and also to explore various composers’ works who did not specifically write for solo trumpet. Luke fulfills these areas admirably, performing with a beautifully nuanced sense of line and phrase throughout, and explores literature that is all but unheard of from any other trumpeters. (And let it be noted here that for this CD Luke has chosen to use a cornet, the more compact, intimate cousin of the modern trumpet, a decision that is perfectly suited for the aural soundscape he intended for these songs.)
There is a deeper level to what Luke has accomplished here. He has studied the implications and nuances of songs sung in different languages, searching for insight into how different syllabic accents and vocal intonations of pronounced vowels and consonants may affect how a specific composer’s music might be approached by a trumpeter – this is why he has chosen to call his adaptations “translations” rather than “transcriptions.” There is the very real possibility that this level of detail might not be clearly noticed by many listeners, but such is the depth of Luke’s searching that what he has gleaned does, in fact, inform his interpretations, and I believe there is inevitably an indirect affect on any listener’s aural experience with this recording. To any great art there are always varying levels: clear visceral perception; veiled depths of meaning; and nuanced details that actually cannot be directly identified, not consciously perceived, a fleeting evanescence that marks the most gratifying aesthetic experiences.
Luke’s choice of repertoire deserves special attention, specifically his attention to the Second Viennese School (Schoenberg, Berg) and the music that frames this explosively creative period: Mahler (both Gustav and Alma), Lili Boulanger, Poulenc, Messiaen, and Ravel. There is a delicious sampling of American music by Charles Ives, Florence Price, and Leslie Adams. That he has brought us two selections, to conclude, from Libby Larsen’s cycle Love After 1950 is the perfect reminder of how much ironic fun can be found in contemporary music.
As satisfying a recording as I’ve heard in many years; immediately attractive and pleasurable on first hearing, and worthy of repeated exposure and study."
- Chris Gekker, Distinguished Professor of Trumpet (University of Maryland School of Music)
COMING SOON: Spence's debut solo album, "Twentieth Century Art Songs: Translations for Cornet and Piano" will be released January 2022 by Tonsehen records. Available for purchase on Amazon, Spotify, and Apple Music.
August 1, 2021: Dr. Spence joins the faculties at Frostburg State University and Frederick Community College
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April 29, 2019: University of Maryland Graduate School Magazine wrote a piece "Coffee, Some Ragtime and More Coffee" on the Peacherine Ragtime Society Orchestra's March 2019 tour through the Midwest.
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March 4, 2018: World premiere performance of Duruflé's Reqiuem for tenor and bass chorus, performed by The Gay Men's Chorus of Washington DC conducted by Artistic Director, Thea Kano.
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November 18, 2017: Performance of Claudio Monteverdi's groundbreaking Vespers of 1610 at the John F. Kennedy Center for the Performing Arts with The Washington Choral Arts Society, The Thirteen, and period instrument orchestra conducted by Scott Tucker.
"The...three cornetto players were solid on the virtuosic solos..."
- Washington Classical Review
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September 27, 2017: View pictures from Spence's performance of the Haydn Trumpet Concerto with the Washington Sinfonietta
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April 10, 2017: Refuge Through Music
This concert with Gourmet Symphony and the Refuge Orchestra Project raised more than $5,000 for the International Rescue Committee and the Hebrew International Aid Society which help support asylum seekers abroad.
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March 20, 2017:
Spence was recently selected to be a part of the 2017 American Institute of Musical Studies (AIMS) Festival Orchestra. From July 4th - August 12th he will be based in Graz, Austria performing with musicians from around the world for this renowned opera festival. Click here to view the performance calendar.
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